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Depending on the nature of the reagent and, consequently, the electrophilic character (degree of ionization) of the reacting electrophile, a great variation of this basic mechanism may be observed. Carbon-hydrogen bond breaking is not significant in the rate-determining step, and no primary kinetic isotope effects, therefore, are found. This is one of the main arguments against a single-step mechanism once favored conserving aromaticity during the whole reaction. Aromatic electrophilic substitutions usually require the use of a catalyst to aid the necessary polarization of the reagent. Reactive aromatics, such as alkylbenzenes and polynuclear aromatic hydrocarbons, however, may react with certain reagents without a catalyst. This is because not only the electrophilicity of the reagent but also the nucleophilicity of the aromatic reactant affect the reaction.

where:

You can join any path with another path with a simple command. Initially, this capability may appear to fall into the Yeah, so what category; but after you realize that paths don t have to overlap, touch, or even be near each other, the design possibilities expand considerably. Joining a number of simple shapes is an easy way to make one complex shape. For example, joining empty circles with an object effectively cuts holes in the object, as shown in Figure 9-13. Note that the joined object has the attributes stroke, fill, effect, and so on of the original object that was lowest in the stacking order (in other words, closest to the canvas).

An ETL process along the lines set out in the previous script can be used effectively to pass data between external data sources and FileMaker data tables to facilitate reporting on ESS data, archiving or warehousing of FileMaker data, or the interchange of data between complementary systems.

Placing this command at or near the commencement of the script reduces the likelihood that the user will (intentionally or inadvertently) interrupt your script before it executes fully (for example, by pressing the Escape key).

selectedIndex returns -1 for the MX control and 3 for the Spark control. prompt returns the user-entered value (MX version only). text returns the user-entered value (MX version only).

1. Choose Edit Menus to open the Menu Customization dialog box shown in Figure 3.22. 2. Using the Category pop-up menu, select the category of menu you want to modify: Application Menus or Context & Panel Menus. 3. In the list of application menu commands that appears, choose the menu option you want to show or hide, or color. Click the eye icon in the Visibility column to remove a menu option (the icon goes blank); to restore a menu option, click a blank icon in the Visibility column (the icon becomes an eye). You can also give the menu item a color background by choosing a color in the Color column s pop-up menus. Note that to access submenus, you click the right-pointing triangle to the left of a menu s name to expand the list of submenu options. 4. When you re done, click Save As. Enter a name in the Save Menu Set dialog box and click OK. 5. When you re done changing menus, click OK to return to InDesign.

20: Mastering Image Maps and Slices . . . . . . . . . . . . . . . . . . . . 645 21: Activating Fireworks with Behaviors . . . . . . . . . . . . . . . . . . 683 22: Integrating with Dreamweaver . . . . . . . . . . . . . . . . . . . . . 719

Different software works with kerning and tracking differently. In programs that do offer numerical tracking, it s usually represented in some form of a fraction of an em space, but the denominator varies from software to software. Fortunately, all Adobe software is consistent here.

0.758 0.686 0.505 0.292 0.160 0.092 0.056 0.036 0.024 0.016 0.011